November was all about advanced composition techniques: Maths and Science help us to understand the natural world and create more impactful art and science. Today I cover just a few of those techniques!
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How To Guide's
Colour is all around us, the clothes we wear, the cars we drive, the scenes in nature, cityscapes and decor, and used to help us differentiate:
We respond subconsciously to them without realising - making associations.
Colour is powerful and can change the whole way people perceive you and your business, your product, your service and your offering.
The Brain and Colour
In the same way, when looking at marketing, business cards, social media posts, tv and every other form of visual input around us, our brain is speeding up our ability to scan for what is of importance.
What should it pay attention to?
Then second it is defining how to interpret the visual signals and give swift context to anything we do then value enough to read.
Colour Associations
Some associations are generic, they are interpreted quite unanimously across the board.
For example, most people see green in nature and associate it with growth and new life, as green comes with the rains or in spring
Some colour associations are still well understood but contextual.
The way we see red can depend upon context:
At valentines time of year red fonts evoke feelings and understanding of love and passion as do hearts all year around.
Red rag to a bull / red mist / red blood drops - all evoke connotations of anger or pain
Yet red used in spray paint or an anarchy symbol does neither and instead associates with rebellion or freedom fighting.
Some colour associations are cultural. The above example where red is used for danger and attention may be more specific to the West or Middle East.
Alternatively, far Eastern cultures may see red associated with prosperity. Then conversely, I may associate prosperity more with the Western green of money, and in the Middle East with yellow.
Some colour associations can also be personal.
For example, if I saw my mother as truly beautiful and encouraging and she always wore blue, I may, at a subconscious personal level, associate blue with safety, maternal love or homeliness.
So, if colours mean different things to different people, how do I choose my brand colours?
Ultimately, while the science behind colour theory could be studied for years, unfortunately, there are no hard and fast specific rules for choosing your brand colours.
It would be unfortunate if you were looking for me to give you a rule-based script you could enter into ChatGPT or another AI engine of choice to compute what your personal colours should be for your brand.
The Easiest Route…
The easiest route would be to select your favourite colour and call it done.
This isn’t a bad starting point for a small business which only needs to connect with a handful of clients, especially where you do a lot of the marketing personally with your face.
I would suggest, however, that the larger you get and the more you need to market outside of personal networking and 121 conversations, the more important not only brand colour choice but also specific brand shade/saturation/tonality will become.
Colour Science, Psychology & Symbolism
Now it is time to delve into the science of colour and consider a few more factors like subconscious understanding and creating maximum resonance between your brand and the ideal client right down to the details of where you will use those colours.
Which additional palette colours you select will be used in which applications and contexts, to accent, highlight and accentuate with uniformity across your entire visual suite.
Keys for creating a unique, identifiable and attractive brand palette
I do have a number of keys which I suggest taking into account when selecting your complete brand palette.
These keys can be unlocked with the following questions, and don’t worry, I will dig into the why and how to answer them in greater depth later on:
What colours do you appreciate and personally resonate with?
Do your ideal clients also appreciate these colours, or is your personal taste different?
What are your direct competitors’ colours?
Which colours do colour symbolism and psychology suggest align with your brand values?
Which colours do colour symbolism and psychology suggest align with your sector and niche?
According to colour theory, which secondary and tertiary colours have a good relationship with your chosen primary colour?
Which colours relate well to your primary colour (e.g. harmonising, analogous, triadic, complimentary etc…) best fit your brand values, message, sector and niche?
I’ve chosen My Colours: what next?
I love this part of the process!
Once you have chosen your exact tone, shade and saturation of colours you get to take a digital swatch necessary to generate the relevant hex codes and RGB/CMYK values for your brand guide.
Your brand guide containing these codes and values (and also fonts and other design assets like your logo) is important. It’s what you will need to guarantee uniformity across digital and printed media, to keep that brand look you are working so hard to achieve.
You can then supply them to your campaign marketer, graphic designer, or photographer.
Or if you are very creative or have an in-house creative team, you can go DIY in content creation and add them to your Canva palette (for your marketing templates and graphics) or within Adobe design suite.
So to conclude:
Colour is powerful evoking emotion and sending subconscious signals
Choosing colours correctly will help you stand out from your competitors, resonate with ideal clients and strengthen your brand image.
There are a number of things to consider when choosing which relate to the psychology and symbology of colour. Colour theory can help you select your palette.
To make use of your palette you need colour values and codes to replicate seamlessly across both your digital and printed presence.
Coming next:
Colour theory for business & utilising Elizabeth’s brand colour keys.
3 tips to create fun media for your marketing with photography…
The three things you need to know taking headshots at home on your mobile phone about lighting and where to stand - this will drastically change your results!
Too Busy to Risk Losing Photographs:
I imagine you, like most people, have never really considered what you might lose if your phone gets stolen apart from perhaps the obvious - your phone - and the next thing to cause fear - your contacts and banking information.
What about the repercussions if your computer or laptop dies? Well, the obvious question of how can you work from home or a coffee shop when you lose that vital tool and the challenge of emails get more tricky on a mobile.
But you probably haven’t considered what will happen to all your many, many photographs and files- UNTIL THE FATEFUL MOMENT THE WORST HAPPENS.
I’ll never forget being approached in tears - my screen has cracked and I cannot get my photographs or videos of the first 2 years of my daughter’s life off. I can’t even put on the transfer app to move them to my new phone. They are all gone - I was going to put them on the computer but now it is too late!
Saving/Backing up: I have started recommending my simple system of THREES for protection and backup - save your photos in a minimum of 3 places - because tech can fail!
Last year I thanked God for my backups because never having experienced it before I then had five failures: 2x computer disks, 2x Pendrives 1x memory card!
So remember the simple rule of THREES - save your photos on:
Computer or Laptop or Phone in an assets folder for using and sharing.
Disk or Pendrive or External Harddrive not affected by power surges /outages as an accessible backup incase you move/accidentally delete your photos on your computer.
The Cloud - e.g. Googledrive, Onedrive or paid backup service such as Backblaze not linked to localised issues such as flood/fire/earthquake.
Downloading your photographs:
If you click "download all" either in the favourites folder or at the top of the gallery homepage - you will be sent an email with a download link to download on your computer or laptop (not suitable for mobiles unless you have a file manager to unzip the zipped folder!)
-> Open the email *
-> Click the download link
-> Enter your email address and you may need to re-enter your PRIVATE DOWNLOAD PIN:
-> Find the newly downloaded zipped photo folder in your "downloads" on your computer
-> Right click or cmd click and extract / unzip the photographs and choose where you wish to save them!
*PLEASE NOTE: Download link emails sometimes are bounced into spam/junk by your email provider especially if you use a commercial email address - please check this folder first.
If you use Gmail or some other email providers they may sort the email into a “promotions” folder or similar so it may not be in your inbox - please check these auto filtering folders first.
Check that you typed your email address correctly when entering the gallery as this is where the email will be sent. 1 digit wrong and you wont receive your download!
If you typed your email correctly, have checked your promotions and spam or junk folders and still have not received your download email within 1 hour then contact lizzy@lizzybiggs.co.uk.